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I Am Guilty
by Tla
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$14.99 |
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$13.49 & eligible for FREE Super Saver Shipping on orders over $25. |
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$1.50 (10%) |
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DVD
TLA RELEASING
Publisher: Tla
Format: Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC
Actors: Constantin von Jascheroff, Manfred Zapatka, Victoria Trauttmansdorff, Nora von Waldstätten, Devid Striesow
In this unsettling, beguiling film by young German filmmaker Christoph Hochh usler, a young boy rebels against the suffocating suburban middle-class ordinariness of his family by having wild tearoom sex and anonymously confessing to crimes he did not commit. Format: DVD MOVIE Genre: DRAMA Rating: NR Age: 807839002515 UPC: 807839002515 Manufacturer No: TLAD164
In this startling, darkly funny coming-of-age drama, a disaffected teenager embarks on a life of his own brand of crime. The handsome Armin (Constantin von Jascheroff) is fresh out of college and unemployed. Unable to take the pressure from his parents, he sends an anonymous confession to the local newspaper after he sees a charred car wreck by the highway. He quickly spins into further acts of rebellion, like writing pornographic graffiti on a bathroom wall and fantasizing about committing violent crimes and having forced sex with a gang of leather-clad motorcyclists. But is it really all fantasy and lies, or is there a danger lurking below Armin’s innocent surface?
| Customer Reviews: |
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| more than it may seem |
| Customer Rating: 5 out of 5 |
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Unlike other reviewers here, I don't see this as a film about boredom. The protagonist is not bored; he has a lot on his mind. He does not think on the same terms as his parents and interviewers; for this reason his speech is at times awkward and slow.
What dazzled me about this film was the subtle interplay of Armin's internal and external worlds; how the crass ideology of his potential employers contains as much violence as his private thoughts; how difficult it is to distinguish the "normal" from the demented. Certainly this is not a new motif; but the treatment here is lyrical and deep.
One is left asking: where does the "terror" really come from? Is it an elusive enemy on the run, or is it right here in the structures of our society? But beyond any explicit questions, the film takes you not quite inside Armin's mind, but close. It has an eerie knowledge that doesn't translate into morals or themes. I know I will watch it again.
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| Fails to Grip |
| Customer Rating: 2 out of 5 |
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"I Am Guilty" plods along at a turtle's pace. European cinema often takes more time, focusing on how it tells its story; whereas, American films usually keep the plot developing at a steady clip. Director Christoph Hochhausler wrote and directed this picture which has the distinction of being nominated as best picture at the Bogota Film Festival. Constantin von Jascheroff has worked steadily in German TV. As Armin Steeb, he plays a young man that appears to have graduated from high school with low marks in science & math. His parents have told him that he has to get a job. He fills out the applications and sits lifelessly at job interviews having trouble answering simple questions like "What's your favorite color?" von Jascheroff's Armen appears socially isolated and unable to function well. He is bright and plants a change of clothes outdoors for a reason that was not altogether clear to me. When the subject of the film is boredom, it's hard not to create a boring film that surrounds the topic. Hochhausler punctuates his screenplay with Armin's fantasies of having sex with male motorcycle club members and of committing arson.
Armin's parents seem genuinely concerned for him. Manfred Zapatka who has also done a lot of work on German TV plays the father, but there is little spark that makes him interesting. Victoria Trauttmandorff plays Armin's mother Marianne. She is given a vivacious personality that jokes with Armin and flirts with her husband. However, she too is frozen on the outside. Armin's two brothers flit in and out. One tries to coach him for a job interview and the other's wife is expecting a baby. Despite his fantasy life, Armin is interested Katja Fichtner played by Nora von Waldstatten. He tells her he thinks of her during his private moments. The visual difference between American and European cinema is best reflected in a sequence at a tennis court where Armin & Katja race in Katja's brother's wheelchair. The camera remains stationary without separate setups as Katja & Armin wheel in and out of frame. For seconds, the camera looks at a blank green wall over the tennis net and we hear the kids off camera squealing in delight at their game. von Waldstatten appears to be the only person Armin wishes to impress, which makes the ending perfect. [Spoiler alert] As Armin is being handcuffed and Katja watches, we see him break into a rare smile of satisfaction since he has now achieved notoriety for being bad. However, it is an ending that makes the film add up intellectually, not that it is compelling to watch.
The film may be interesting for viewers who like European cinema. But the main character is purposely played emotionally flat with few levels, other than a tearful funeral of a stranger where Armin cries for an unknown reason. The supporting characters are likewise not memorable. As reality TV, this might be mildly interesting. As a film, it is not gripping. Taxi!
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| Don't Bother With This One! |
| Customer Rating: 1 out of 5 |
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This film was slow moving and completely uninteresting. I didn't care about any of the people in it. As for the story line, what story line? This thing went on forever and was boring as hell.
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| An Investigation into a Lack of Purpose: Contemporary Ennui |
| Customer Rating: 3 out of 5 |
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'Falscher Bekenner' ('I Am Guilty') is a strange little film that seems to beg our indulgence in looking at and pondering the state of mind of our newly graduated college youths who have had everything provided for them to prepare for life - and are clueless as to how to begin fitting into the world. Writer and director Christoph Hochhäusler appears to have a rather bleak look at this generation - or is it the generation that produced the 'new adults' that he is questioning?
Armin Steeb (Constantin von Jascheroff) is a good-looking young fresh college graduate living with his doting parents (Manfred Zapatka and Victoria Trauttmansdorff) who are concerned about Armin's inertia about supporting himself. They assist him in applying for jobs, prepare him for job interviews, and obviously love him and wish for his happiness. Armin is bored: he can barely tolerate the entire family's normalcy, longing for something to light a fire in his life. While walking alone one night he encounters a wrecked automobile containing a dead driver and while he stops to inspect, he soon moves on carrying with him a metal object from the site of the accident. Out of boredom he writes to the police that he is responsible for the accident of what happens to have been the demise of a public official. He takes the found metal object to the police station then leaves without identifying himself.
Armin continues fruitless job interviews but also spends time in front of the glow of his computer monitor having fantasies: we see him defiling public roadside restrooms with graffiti, having bizarre physical liaisons with motorcycle men, and hurtful encounters with love interest contenders. Are these real or are they the products of an unfocused mind that wants more to life than the humdrum day job? Eventually Armin is arrested for his confessed 'crime' - or is he? We are left not knowing how much of what has been on the screen is imagined and what is real.
Christoph Hochhäusler knows his craft: he creates atmospheres that suggest the burring of a mind in flux, he paces his tale well, and he directs a strong cast fluently. While many may view this experimental film with disgust, that may be one of the goals of Hochhäusler. Perhaps he is holding a mirror to the quality of life we have created in the 21st century for our young people who have been raised in an unstructured environment. In retrospect the ennui created here may be a more pointed existentialist statement than we at first recognize. In German with English subtitles. Grady Harp, February 07
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| Disturbing Teen |
| Customer Rating: 3 out of 5 |
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"I AM GUILTY"
Disturbing Teen
Amos Lassen and Cinema Pride
New from TLA Releasing is "I Am Guilty" ("Falscher Bekenner"), a disturbing story about a bright, bored and troubled teenager named Armin. He has a loving family which makes it hard to understand why he is so troubled. His parents care for him and love him very much. Even so he manages to get himself into all sorts of trouble as if he is hungering for the love he already has.
The problem that I had with the movie was the subtitles which made almost no sense at times. The little German I knew told me that something with the subtitles was not quite kosher and this caused me a great deal of confusion. I would have to classify the movie as art house abstraction. The thing that bothers me about abstract movies is that I am never sure I really know what they mean." I am Guilty" is a good movie nevertheless.
What we learn from the movie is about the boredom and dullness of life. Basically we all live the same life. We go to school, we graduate, we get a job, etc. Our existence is simply a "world of repetition". Here we have a young man, bored with life who does not want to become a part of that kind of existence that society forces upon us. He is forced to commit crime to fulfill the need for excitement.
There were times that the movie seemed vague and I wondered if that showed that even with a life of repetition, there is also a degree of insularity in life. The fantasy sequences in the film are brilliant and the acting is wonderful. But there is also that sense of trying to understand what is real and what is imagination. What did Armin do and what did he just imagine he did?
When a movie makes me think, I welcome it. I want to believe that I was thinking correctly and I got no validation of that. The ending is just that--an ending. The movie just ends with no resolution and no tying up of lose ends. I was very surprised that it ended because I was waiting for some grand finale. I suppose that has to come in each viewer's mind.
I realize that this is not an easy movie to watch but on a second viewing it made much more sense. It was so interesting to realize that with all of the differences among people in a society, that we are all basically the same--with variations. Isn't this something we have always known but never wanted to admit? It takes a film like "I Am Guilty" to make us sit up and take notice of who we are, what we are doing and where we are going.
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